Friday, November 29, 2013

#AmReading - The Passenger by James Cook @JamesNCook

The Passenger by James Cook

Amazon

A single bite is all it takes.
During the Outbreak, like billions of others, a man finds himself infected with the Phage. Desperate to spare his family from watching him become a walking nightmare, he flees. Soon after, he is dead.
Two years later, he wakes up.
Not in the afterlife, but in his own body. Trapped, unable to control the monster that carries him, and forced to witness the horror of its existence.
A hundred miles away, Sergeant Ethan Thompson thinks he has seen the worst the apocalypse has to offer.
He is wrong.
Following the trail of a dying madman, he will embark on a journey of vengeance that will test the limits of his sanity. Along the way, he will learn that there is no justice at the end of the world. There is only the living and the dead, and in between, there is The Passenger.

Cerece Rennie Murphy – How to have fun giving an On-the-Spot Interview @CereceRMurphy

How to have fun giving an On-the-Spot Interview

Unlike most public speaking opportunities, I actually look forward to interviews.  Whether they are in-person, on camera, radio or via an emailed list of questions, I always feel like I know how to prepare and just what to do because an interview is about the one thing you know best – you.  You might not be able to list significant developments in the Middle East Crisis or come up with a succinct definition of “irony” on the spot, but you are an expert in you and your work and that’s all an interview is really about.   So here are some thoughts I have on how to approach an interview with anticipation instead of dread.  You might even have a little fun in the process.

1)     Ask yourself what you would want to know.  Look at the body of work that the people interviewing you will be familiar with.  Are there any interesting connections, inconsistencies or curious departures that, if you were a stranger, you’d want to know more about?  Practice putting your thoughts together on how to describe, explain or clarify your unique journey.  I wouldn’t recommend memorizing anything here, because if you get nervous and you can’t find “the word” that’s supposed to come next, you might convince yourself that you’re lost when you’re not.  You can never be lost in an interview because you have the ultimate home court advantage – you know you better than anyone else.  You just want to have thought about the questions they might ask long enough for your to identify the themes and patterns that are important to you so that you can recall them with more ease when you need to.

2)     Don’t be afraid to give an answer they don’t like.  A really good interviewer wants to get to know you.  The right answer is the one you give.  It may not be what they are looking for, but that doesn’t mean it is wrong.  I’ll never forget one of the last job interviews I had. One of the interviewers asked me what I would do if I disagreed with my supervisor.  I told her that I would voice my opinion and then leave it up to the supervisor to decide.  She didn’t like that.  I could see it right away, but it was the truth and if she couldn’t handle that then I probably wasn’t the right fit for her or the organization.  It’s tough to do this when your livelihood is on the line.  You have to decide what are the things you can compromise on and what are the things you just can’t and stand as firm as you can for as long as you can, otherwise, it will come back to bite you in the butt.

3)     Don’t be afraid of what you don’t know.  Expect the question you didn’t prepare for.  Be surprised. It’s ok.  The trick is not in the fact that you didn’t know they were going to ask that question.  That’s obvious, unless you are clairvoyant.  The trick is in how you handle the surprise and answer the question anyway.   Talk about what you do know on the subject, or why your attention has been focused on X thing that is more important to you/relevant to what you are doing, or how you would find out about X thing and what you think are the most pressing questions to be answered.  A surprise is your chance to surprise them right back.  At a recent convention, I was pitching my book to an attendee (which is a mini-interview in itself) and in mid-pitch she cut me off and told me that my book sounded like another book by a British author.  What do you say to that?  Since I didn’t know what she was talking about, I asked her if she could remember the title and tell me a little bit about the storyline.  I could tell she was taken aback.  Her comment was meant to disarm me, but instead I was curious.  She wasn’t expecting that.  Suddenly, she became flustered, “I don’t really know,” she said sheepishly then grabbed a bookmark off my table.  “Does this have all the information on your books,” she asked. “Yes,” I replied.  “You can read the first chapter of the first book for free on my website.” Another surprised look came across her face, “Ok,” she offered, looking me in the eye for the first time during our interaction.  “I’ll check it out,” she said finally before walking away.  Maybe she will, maybe she won’t, but the point is, I wasn’t afraid, either way.

4)     And last, but not least, breathe and smile. I always feel honored whenever someone wants to know my opinion on anything.  Take it as a sign that you’ve got something that someone thinks is worth sharing – so share it.  You’ll feel better for it and you just might help someone else along the way.

Order of the Seers

Buy Now @ Amazon

Genre – Science Fiction

Rating – NC-17

More details about the author

Connect with Cerece Rennie Murphy on Facebook & Twitter

Website http://www.crmurphybooks.com

 

Quality Reads UK Book Club Disclosure: Author interview / guest post has been submitted by the author and previously used on other sites.

Thursday, November 28, 2013

Birth of an Assassin by Rik Stone @stone_rik

Chapter 5

For three weeks, Jez watched his peers leave for the front while his presence wasn’t even acknowledged by the sergeant. He had to face up to him, and find out why.

“Excuse me, Sergeant Sharansky.”

“Yes, private, come in.”

He bent as he pushed through the flaps and into the tent. “If I may, Sergeant, I’ll get straight to the point.” Sharansky sat back and nodded. “You seem to be of an opinion that I wouldn’t be of much use in the field. I’ve trained KooKooEh ever since I got here and…”

“And?” the sergeant broke in.

He stood further to attention. “Sergeant, I know this war is bitter and casualties high. I just don’t understand why my skills are not put to better use.”

“Oh – a tantrum. The boy isn’t getting his way.”

Rankled, Jez discarded caution. “It’s not like that, Sergeant, no, I…”

“All right… all right,” the sergeant conceded, and lifted a hand to silence him. “We’ve received information of a rooftop party for a group of significant conservative officers. I’ve looked at your records. Seems you can shoot, but you’ve never killed. Do you think you can go the distance?”

Had Sharansky waited for him to make this approach?

“Yes, Sergeant, you’re right, I haven’t killed, but there has to be a first time for everyone. I’m ready, it won’t be a problem.”

“It’d better not be. Get your combat gear together and make sure you’re ready to travel at first light. Don’t worry about weapons, I’ll sort them out.”

Night still contested with day as Jez emerged. The KKE boy sat behind the wheel with Sergeant Sharansky next to him. It was so early that his mind hadn’t kicked in properly, or was it that he hadn’t clipped his belt buckle properly? Whichever, he got in a tangle and fell.

“Don’t worry,” the sergeant said, “you’re not late.” He turned to the driver. “Let’s go.”

Friendly enough, but Jez could’ve sworn he’d sniggered.

Then it got worse. The accelerator hit the metal before Jez had sat down, and he crashed over into the rear seat. This time the sergeant laughed for all he was worth.

“After the boy drops us, it’ll take him an hour to get to his KooKooEh comrades and let them know we’re on our way,” Sergeant Sharansky said. “We’ll have that hour and another three to get to our position and set up. Oh, one more thing: you’re Jez, I’m Viktor, and we’re without rank. You’re trained, so there’s no need to explain.”

“No, Sergeant, sorry, Viktor, but why the time limit?”

“We’ve arranged for KooKooEh to make a diversionary attack on a military village in the town’s suburbs. When their firepower can be heard we must be in position and ready to open fire.”

They hadn’t driven for long when the jeep left the main road in favor of dirt tracks and paths that wound along low gullies and high mountainsides. But now the boy drove tentatively and made sure the vehicle didn’t kick up dust. Eventually they stopped on a hillside and Jez pulled his rattled body from the jeep. A spattering of houses lay to the west, or at least he guessed they were houses: from that distance they looked no more than an anomaly in the terrain. Viktor took a bag from the jeep and the boy drove off without a word.

“Will there be opposition between here and the town, Viktor?”

“There’d better not be, or the mission is over. Until we’re ready to hit, low profile is the name of the game.”

They crept silently over sterile ground, and the nearer they got the more patrols they found to skirt around. When necessary they bellied out, slung the bag over the back of whoever’s turn it was to be mule, and crawled. When they reached the halfway mark, Jez was up on his feet and trotting crouched with the bag over his shoulder.

“You want me to take a turn with that bag?”

“No, it’s not a problem.”

The lifetime of physical training had paid dividends and his body thrived on the workout. But his mind was full of the task ahead: he would kill; that was why he’d trained so hard. It was a necessary step in his military evolution. Even so, sweat popped on his face – and it wasn’t through physical exertion.

They arrived on the town’s outskirts and nestled into a niche at the base of a hill. Viktor took two AK-47 submachine guns from the bag: a recently developed weapon created by a young unknown called Kalashnikov. Jez had trained with the rifle and liked its responses – accurate to 800 meters and still a kill shot at 1,500 meters. Viktor laid the guns side by side and dipped back into the bag. He took out enough ammunition to fill the magazines twice over.

“Load up, Jez. Then take off your trousers and shirt, and fasten the ammunition belt with the spare bullets in front of you.”

Jez relaxed and grinned. “We’re going to look a bit obvious if we walk into town like this.”

Viktor sighed. “We’re not quite finished,” he said. “Sling the gun over your back.”

Jez obeyed, and as Viktor pulled out sandals and a couple of hooded kaftans, the fog cleared.

“Get into these,” he said. “Reports say there are Arabs in the town, so we should go unnoticed.”

“And if we don’t?”

“Well, I don’t think the conservatives will lose any sleep over killing us slowly.”

“Right, Viktor.”

Reality sobered his thoughts – death was feasible.

“Noticing the AK-47 won’t be a problem as long as you don’t bend to pick anything up in town,” Viktor continued.

Jez held out the kaftan like a girl in a dress shop and nodded. “I could pass as an Arab without the kaftan. And you’re… well weathered.”

He watched Viktor pull the kaftan over his head. His muscular frame could have been a problem, but in the loose-fit garment he just looked fat. Jez grinned.

“What?”

“Nothing, Viktor, just thinking.”

They moved into side alleys of what Jez presumed was a typical mountain town: houses with dark adobe sun-dried brickwork, mainly flat-roofed but some slanted and tiled. Orange trees bore bitter fruit that had been left to over-ripen and wither. Their skins had already bleached to a pale shade of yellow, and the branches they hung from stretched over sandstone walls to reach for the shade of olive trees, whose aged trunks had bloated to more than a meter in width. These olives lined the street, proudly adorning the sidewalks. Their long, heavy branches provided shade for the passersby, while the white paint around the trunks gave guidance to night traffic.

On a main street, Jez watched donkeys pull rickety carts piled with firewood. Rusted old cars belched blue-black smoke so thick that it rasped the throat. An uncovered army truck chugged by, full of soldiers who looked over-heated as they leaned wearily on their rifles. Vehicles had parked on either side of the road, which slowed the traffic. A black chauffeur-driven convertible stopped just ahead with a military officer sat in the back seat, tapping a swagger stick on his forearm and staring straight ahead. His pompous expression raised the hackles on Jez’s neck. The blonde woman sitting next to him was just the opposite: she craned her neck in every direction and showed interest in all she looked at.

They turned off into a side alley and Jez was glad to leave the mayhem behind; but within a couple of meters he found himself pressed against a wall to let a heavily-laden donkey pass. The large wooden cases that flanked the animal looked over-burdening, but it never faltered. A woman led the beast from the front and stared directly at Jez. Her tanned and shrunken face seemed to admonish him, but then he realized she wasn’t looking at him, but through him.

After several alleyways into town they came to an open plaza where Arab vendors manned vegetable stalls. On the opposite side of the square a number of conservative soldiers hung around, smoking, talking.

“Take my hand, Jez,” Viktor ordered.

“What?”

“Just do it,” he said with resignation.

Jez took the sergeant’s hand and they walked diagonally across the square. Viktor clung to him and chatted in Greek – or whatever language it was; it all sounded Greek to Jez. They bumped and pushed their way through a throng of people who eagerly cleared their goods in readiness for an evening of freedom.

Halfway across the plaza, anxiety tingled over Jez’s skin as he brushed against a man. Perfumed and smartly dressed, he looked how a key official might. The stock of Jez’s AK had clipped the man’s arm, not hard, but enough for him to reach up and rub it. With face contorted, he stared at Jez in puzzlement, probably wondering how someone so much smaller than him could cause such pain with a minor bump.

Jez brought his hands together and bowed remorsefully. “I’m sorry, sir,” he said, using the only Arabic he knew.

“Yes, sir,” Viktor added, “I’m sorry too. This is an idiot boy and I don’t know why I keep him.”

By the look on the man’s face, he hadn’t understood a word. Jez guessed that’s what Viktor thought too, which would be why he turned on Jez, swiped at his head, and pushed him across the square. He continued with the angry charade until they got nearer to the soldiers, he quieted, took Jez’s hand and returned to jabbering. They cleared the square and the handholding abruptly ended.

“That’s a relief,” Jez said. “I like you well enough, but not in that way.”

Viktor laughed warmly. “It’s not unusual for male Arab friends to hold hands. It doesn’t mean the same with them, and we need to blend in as much as possible.”

“Whatever you say.”

The sergeant shook his head and laughed as he took another swipe at Jez. His directions brought them to their first destination: a red sandstone house with off-white steps that led to a door on the first floor.

“Isn’t there someone here to meet us? You can’t just go in without knocking,” Jez said, as Viktor reached the top step and grabbed the door handle.

“Don’t worry, we have all the information we need, enough to get the job done. That way if we’re caught we can’t let anybody down.”

“What if the house is found after we’re done? Won’t that lead to our informant?”

“You ask too many questions. Me, I just get on with what I’m given. Truth is, I don’t know what cover has been set up. I only know what we have to do and how we have to do it.”

The windows were small, but inside was bright because a French door was positioned to catch sunbeams that reverberated on the stark white walls. A ladder to a trapdoor stood against a teak-colored ceiling beam. Jez slipped the kaftan off over his head and removed the rifle. “Oh,” he groaned, and stretched and arched his body. “I’m glad to get rid of that. When I bumped into that man, the gun moved and the stock was stuck between my shoulders.”

“Ah, such a sensitive little button,” Viktor baited.

Jez nearly rose to defend his words until he realized he was being sent up. They sat in underwear, tucking into the Feta cheese and bread that had been left out on the table.

“Right, Jez,” Viktor said, and wiped his mouth with the back of his wrist. “We have a good hour before the fireworks begin. According to my information there are a good few rooftops to cross before reaching our position and it’ll be easier to get there while it’s light, so we should make a start right away.”

“That’s not a problem, but do we go in under-shorts and vest? Not a very dignified way to die if we’re caught.”

“Don’t worry about that, there’s no such thing as dignified dying – just dying.”

Maybe, but Jez would prefer it if he had a bit more on than a pair of underpants.

Birth of an Assassin

Set against the backdrop of Soviet, post-war Russia, Birth of an Assassin follows the transformation of Jez Kornfeld from wide-eyed recruit to avenging outlaw. Amidst a murky underworld of flesh-trafficking, prostitution and institutionalized corruption, the elite Jewish soldier is thrown into a world where nothing is what it seems, nobody can be trusted, and everything can be violently torn from him.

Buy Now @ Amazon, B&N, Kobo & Waterstones

Genre - Thriller, Crime, Suspense

Rating – R

More details about the author

Connect with Rik Stone on Facebook & Twitter

Website http://rik-stone.simdif.com

#Bargain Sand Dollar: A Story of Undying Love by Sebastian Cole @sebastiancole3

sanddollar
Beverly Hills Book Award winner, USA Best Book Award finalist, ForeWord Reviews Book of the Year Award bronze winner, International Book Award finalist, ForeWord Firsts debut literary competition finalist.
The story opens with Noah Hartman, eighty years old, lying on his deathbed recounting his life of love and loss to Josh, a compassionate orderly at the hospital. As Noah’s loved ones arrive one by one, they listen in on his story, and we’re transported back in time to Noah’s younger years.
Though outwardly seeming to have it all, Noah, now thirty-five, is actually an empty, lost, and broken man running on automatic pilot. He has no true identity due to having allowed his powerful, wealthy parents to manipulate, control, and brainwash him from a young age. With the threat of disinheritance and withholding love and approval if he doesn’t comply with the plan they have for his life, Noah is lured in by the reward of great wealth and the illusion of running the family business empire some day.
Enter Robin, twenty-five years old, who — in direct contrast to Noah — is a vivacious, free spirit. Full of life and always living in the moment, Robin’s love saves Noah by inspiring him to stand up to his parents and live his own life at all costs, reclaiming his true self.
They get married, and while snorkeling in the Caribbean, the captain of the boat warns them not to disturb anything in the sea. Ignoring the exhortation, Noah dives down and snags a sand dollar from the ocean floor, whereupon it explodes in his hand. With the fragile sand dollar taking on new significance, Robin inexplicably leaves Noah shortly after returning from their honeymoon. Like a passing breeze, she disappears out of his life without a trace, seemingly forever.
Years pass, and Noah still can’t get Robin out of his mind and out of his heart. After all, the one he loved the most would forever be the one who got away. That’s when he finds out about her hidden secret, the underlying condition responsible for her leaving. Noah has no choice but to move on with his life without her, meeting Sarah at the premiere of SAND DOLLAR, the movie he wrote about his time with Robin.
Years later, it’s Noah and Sarah’s wedding day, and Robin discovers a clue that Noah had surreptitiously inserted into the movie, inspiring her to race to the wedding to try to stop it. With the wedding in shambles, the scene jumps back to present day, with both Robin and Sarah placed in Noah’s hospital room. But which one did he choose?
As Noah wraps up his story, he discovers a far greater truth about the past, present, and future. Things are definitely not as they appear as the pieces of a shattered love are put back together in the remarkable final chapter of Noah’s life.
Buy Now @ Amazon
Genre – Contemporary Romance
Rating – PG 13
More details about the author
Connect with Sebastian Cole on Facebook & Twitter

Wednesday, November 27, 2013

#AmReading - Forever Jack by Natasha Boyd @lovefrmlowcntry

Forever Jack by Natasha Boyd

Amazon

This is the sequel to Eversea : a love story.
A feisty small-town girl and the Hollywood star who broke her heart
An all-consuming love threatened by fame
One last chance at FOREVER
Keri Ann Butler's life changed on the night she met movie star, Jack Eversea. She thought she knew a Jack that was very different to the man adored by fans the world over. In the wake of his betrayal and abandonment, Keri Ann has had to pick up and move forward with the life she was supposed to live and has put off far too long.
Suddenly Jack is back, and his explanations for why he left seem more and more plausible, and his declarations more seductive. But being Jack's latest tabloid accessory isn't on Keri Ann's career agenda, no matter how much she is attracted to him. And how can she can ever trust him again?
Jack knows he let the only 'real' thing that ever happened to him slip through his fingers. And his hands have been tied to try and stop it. Until Now.
Jack is now fighting to save his relationship with Keri Ann, even as his crazy life threatens to tear them apart. Again. The question is, can he convince her she can have it all? And have him? Forever?

Indiestructible: Inspiring Stories from the Publishing Jungle @MsBessieBell

Tackling the Time Factor

by Jessica Bell

The biggest problem I had with deciding to go indie was the time factor.

With a stressful full-time job as a project manager for the Academic Research & Development department at Education First, it was difficult for me to see how I could possibly work, write, blog, edit, publish, market, run a literary journal, direct a writer’s retreat, and live my life all at once. It doesn’t help that I’m a bit of a stickler. I like to get everything done myself because I have a hard time waiting on others to do things I know I can get done more quickly and efficiently. I outsource if I really have to, but I do enjoy doing the work, such as designing covers, learning new skills and navigating social media. So when I say, DIY, I really mean DIY. Where on Earth, I wondered, would I find the time to be an editor for an educational publisher and literary magazine, an author, a typesetter, a designer, and a marketer? And what about walking the dog? Making dinner? Sleeping? (Forget the laundry. I have months of unfolded washed clothes in a heap on the couch that will soon need to go straight back into the machine from the dog rubbing herself all over them.)

The time factor is a logical fear. But once I finally made the decision to do this on my own, I realized that it wasn’t as daunting as it seemed. Do you know how much more you actually get done when you think something is impossible?

I don’t want to tell you how to schedule your day, but I’m going to give you a run down on how to approach this time management malarkey mentally. The key for me is not to focus on one thing all day. When you do this, you burn out. Your brain starts to lag from the monotony of the same information. You need to mix it up. If you mix it up, you get more done, because your mind is consistently stimulated with fresh information.

Let’s start with the actual writing of your books. Because this is what it all boils down to, yes? But first, I have to say, everyone is different. Everyone writes at different speeds, deals with stress in different ways, has different expectations of themselves. So you need to figure out what you want and works for you.

1. Stop thinking about what other people will think of your work. And write honestly. The first version of my debut novel was written for an audience. It was rejected again and again—for five years. And then, I found a small press who saw something in me and made an effort to get to know me. (Unfortunately that publisher liquidated only six months after its release, but that’s another story which you can read about here.) The publisher said my book was good, but that it felt like she was watching the characters through a window. She said: “Go deeper.” So I dug deeper and dragged the truth from my heart and soul. A truth I was afraid to admit was there. But it resulted in an honest book—a book I didn’t know I had in me. And one I hope women will be able to relate to. It’s glory-less, but real. And real steals hearts. What does this have to do with time management you ask? A lot. When you believe in your work, when you love your work, the words get written faster.

2. Focus on one paragraph at a time. I will never forget Anne Lamott’s advice from Bird by Bird (most accessible and nonsense-less book on writing I’ve ever read): write what you can see through a one-inch frame.

The reason I say this, is because knowing how much you have to revise can sometimes be daunting and overwhelming, and you might try to get through as much as possible and forget to focus your attention on the quality of your work. If you make each paragraph the best it can be before you move on, you won’t have to do any major rewrites (unless there’s a snag in your plot that you’ve overlooked and it’s related to a pertinent turning point). I’m talking revision here, not first draft.

3. Divide your writing time into short bursts. I find that if I give myself only one hour to write every morning before work, sometimes even shorter periods of time (especially when I accidentally sleep in), I’m forced to come up with things I wouldn’t normally think of.

The brain works in mysterious ways when it’s under pressure, and sometimes a little self-inflicted pressure can push you to great heights. Can you believe I wrote the first draft of The Book over a three-day long weekend? I did this because I experimented with the self-inflicted pressure idea. It worked. But be careful not to expect too much from yourself. There is nothing worse than becoming unmotivated due to not reaching personal goals. Which brings me to my fourth point ...

4. To start with, set your goals low. Set goals you know for a fact you can reach. If you set them too high, and continuously fail to meet them, you are going to feel really bad about yourself. This may result in neglecting your goals altogether. I know this from personal experience. If you later realize that you are meeting your goals with ease, gradually make them more challenging. But I strongly urge you to start small. It’s better for you, psychologically, to meet easy goals, than to struggle meeting difficult goals. Not achieving goals is a major hazard for self-esteem, motivation, and creativity.

So what about the rest?

Let’s see. These are the things I continuously have on the go that are not part of my day job or writing books, and I still find time to walk the dog and make dinner (sorry, the washing is still on the couch):

—Vine Leaves Literary Journal (reading submissions, sending rejection/acceptance letters, designing the magazine, promoting the magazine)

Homeric Writers’ Retreat & Workshop (organizing the event and handling finances)

Typesetting, designing, and marketing my books (which includes, what seems, a never-ending thread of guest posts and interviews)

Blogging (including keeping up to speed with my weekly guest feature, The Artist Unleashed)

Maintaining my online presence (Facebook, Twitter, Goodreads, etc.)

I do all this stuff on top of the day job. On top of my writing. Because I do it all in scheduled, short bursts. I get up early to make sure I have one hour to write and one hour to do something else from the list above. I pick and choose depending on priority. During my lunch break, I blog and spend about half an hour to an hour (depends on how long I can take from work) on social media. After work, I walk the dog, make dinner, maybe go to yoga. Once that’s done, I’ll spend another hour or so doing something else from the list above. Then I have a shower, relax in front of the TV, or do something else away from the computer before I go to bed. Then in bed, I’ll read a chapter or two of the book on my bedside table. Reading to me is relaxing and not a chore.

So what have I accomplished in this average day of mine?

Here’s an example:

My job (at least 7 hours worth)

500-1000 words on my WIP

I read 30 Vine Leaves submissions and sent a few responses, maybe even set up a classified ad on NewPages.com.

I wrote/scheduled a blog post, commented on other blogs.

I connected with everyone I wanted to online. I may have worked on my latest book cover for a bit.

I made dinner.

I walked the dog.

I relaxed.

Look ... I’ll deal with those clothes tomorrow, okay?

I know people with kids who have just as much, and more, on their plate, and they’re still finding the time to self-publish. You can too.

My point is, it can all be done. And it doesn’t have to freak you out, or overwhelm you. Just pace yourself. And if you don’t have a full-time job like me, imagine how much more you can get done.

Nothing is impossible if you put your mind to it.

Nothing is impossible if you truly want it.

Nothing is impossible. Full stop.

Bio:

If Jessica Bell could choose only one creative mentor, she’d give the role to Euterpe, the Greek muse of music and lyrics. This is not only because she currently resides in Athens, Greece, but because of her life as a thirty-something Australian-native contemporary fiction author, poet and singer/songwriter/guitarist, whose literary inspiration often stems from songs she’s written.

In addition to her novels, poetry collections, (one of which was nominated for the Goodreads Choice Awards in 2012), and her Writing in a Nutshell series, she has published a variety of works in online and print literary journals and anthologies, including Australia’s Cordite Review, and the anthologies 100 STORIES FOR QUEENSLAND and FROM STAGE DOOR SHADOWS, both released through Australia’s, eMergent Publishing.

Jessica is the Co-Publishing Editor of Vine Leaves Literary Journal and annually runs the Homeric Writers’ Retreat & Workshop on the Greek island of Ithaca. She makes a living as a writer/editor for English Language Teaching Publishers worldwide, such as Pearson Education, HarperCollins, MacMillan Education, Education First and Cengage Learning.

Keep an eye out for her forthcoming novel, BITTER LIKE ORANGE PEEL, slated for release, November 1, 2013.

indiestructible

Buy Now @ Amazon

Genre –  Non-fiction

Rating – G

More details about the author

Connect with Jessica Bell on FacebookTwitter

Blog http://thealliterativeallomorph.blogspot.com/

Gringa – A Love Story (Complete Series books 1-4) by Eve Rabi @EveRabi1

Gringa

This is the complete Gringa Series, books 1-4 being offered at a discounted price.

SERIES DESCRIPTION:

I was twenty-one, a sassy college student who took crap from no one. While holidaying in Mexico, I was accosted by Diablo and shot, because the motherfucker mistook me for a spy.

I survived, only to encounter him again months later. How’s that for luck?
Furious and sick of all that I’d been through because of him, I slapped him, told him to go fuck himself and braced myself for the bullet. He could shoot me – I no longer cared.
But, to my surprise, the fucker became fascinated with me and blackmailed me into becoming his woman. He’d slay the entire village that sheltered me, if I rejected his proposal.
He was Kong, hairy, tattooed from fingertips to face, with scary ass piercings, blood-shot snake eyes, a ruthless killer and above all, he was my murderer – how could anyone expect me to say yes?
To save the village I had to.
He took me by force, terrorized me into submission and made me his. To make matters worse, I had to put up with his ruthless, backstabbing family who hated me and wanted to kill me.
I despised the bastard and I told him that. Spark flew. Fists too.
When the FBI came on the scene and secretly recruited me to help put Diablo behind bars, I was thrilled. I wanted them to throw his ass behind bars, then torment him for the rest of his life like he was doing to me. I was willing to do whatever it took to get him there.
But, the more I rejected Diablo, the more he wanted me.
At times he wanted to kill me because of my insolence, but other times he just wanted me to love him.
I was his Gringa and in an attempt to get my love, he began to change for me. Drastic changes that made me laugh at him at first, then made me curious and even intrigued me.
After all, I was an ignored child and as an adult, nobody gave a rat’s ass about me. Here was a man who actually wanted me and was willing to do whatever it took to get me – how the hell could I not be flattered?
As the days went by, I found myself drawn to him and I began seeing him differently. When I found out about his past, everything changed.
I now wanted to protect my murderer, my tormentor, The Devil of Mexico from the FBI and I was prepared to lie to the Feds, if it meant saving him from them.
I was even prepared to go to jail for him.
And I did.
My days in Mexico were filled with violence, hate, lust and sorrow.
It was also filled with laughter, love and passion and most importantly, it taught me that love conquers all.

Gringa – a modern–day, love story that will have you laughing, crying and wanting more!

WARNING: This book contains sexual violence, sex scenes, graphic language, drug references, violence and is suitable for mature readers

REVIEWS FROM READERS:

“A crude rendition of Beauty and the beast”

“IMO, It is one of the best romance books ive read in some time. I read it all in one sitting. I couldnt peel my eyes away even for a minute. The story had it all from action to romance.”

“Some scenes had me giggling out loud, but there was one scene that had me laughing out loud for a couple minutes.”

“This book is not for the faint of heart. It’s horrible, dirty, raw, passionate, hilarious, sweet, sad, addictive, and so much more.”

‘One thing that I like from this author now that I have read all her books is that she takes time to develop her characters as well as develop the romance. There is no zero to 60 in 3 seconds here. Her characters are flawed and multi-dimentional. They also experience growth throughout the book. There are plenty of twists and turns in ths book to keep you guessing.’

“A college student, an alpha male. Nuff said. The author has woven such intricate characters in this tale and I will be hard pressed to find another book which was so well rounded and beautifully written.”

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Genre – Fiction

Rating – PG 13

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Connect with Eve Rabi on Facebook & Twitter

Blog http://everabi.wordpress.com/

Tuesday, November 26, 2013

Breathing for Two by Wolf Pascoe @WolfPascoe

ONE
BREATHING LESSONS
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IN the freshman year of my anesthesia residency, I was given a lesson in breathing by a patient whom I’ll call Otto. Anesthesia residencies come replete with breathing lessons, but Otto was also teaching humility that day, a subject absent from the formal anesthesia curriculum.
A doctor gets humility not from curricula but from his patients. I acquired a truckload of humility the day I met Otto, and the truck has only gotten larger since.
Otto was undergoing a cystoscopy, a look inside the bladder performed by passing a thin viewing scope through the urethra. There is no incision in such a procedure.
Generally, you don’t need anything fancy to support a patient’s breathing while giving anesthesia during a cystoscopy. As the patient passes from wakefulness into unconsciousness you can let him continue to breathe for himself.
In Otto’s case, I strapped a rubber anesthesia mask over his mouth and nose to make an airtight seal against his skin, and delivered through the mask an appropriate combination of oxygen and anesthetic gas. In principle, what I did was essentially what the Boston dentist, William Thomas Green Morton, had done during the first public demonstration of ether anesthesia in 1846.
The modern anesthesia face mask is a hollow cone of rubber or plastic. It’s like the oxygen mask that drops down from above a passenger’s head on an airplane, though it’s more substantially built. The base is malleable and cushioned by a ring of air, a sort of inner tube. The mask is shaped to fit around the nose and mouth; with a bit of pressure, it seals against the skin. The top of the mask connects to a source of anesthetic vapor and oxygen.
Readers of a certain age may remember the TV series, Marcus Welby, M.D., which began each week with Dr. Welby lowering a black anesthesia mask down over the camera lens. In those days, apparently, the family doctor did everything.
The anesthesia machine—the “cascade of glass columns, porcelain knobs and metal conduits” I described previously—is the gas delivery system. The machine connects to an oxygen tank and directs the flow of oxygen from the tank through a vaporizer where the oxygen mixes with anesthesia gas. The mixture passes out of the machine through plastic tubing (“anesthesia hose”) that connects to the face mask.
The patient breathes the mixture.
Gas leaving the anesthesia machine actually flows through the anesthesia tubing in a circle—in fact it’s called the circle system. One limb of the circle travels from the machine to the anesthesia mask, where the patient inhales it. The other limb, carrying exhaled gas, travels from the mask back to the machine, where excess carbon dioxide from the patient is filtered out. The filtered gas is mixed with fresh gas and travels back to the patient.
The same gases, minus the carbon dioxide, keep going round and round. The system is airtight, except for a pop-off valve that relieves excess pressure.
Otto was a large man with a thickly muscled neck, but by extending his head I could keep his airway clear, allowing him to continue breathing while the urologist worked. Instead of using an anesthesia mask to deliver my mix of gases, I could have assured Otto’s airway by using an endotracheal tube. This is a long breathing tube (about a centimeter in diameter) inserted through the mouth all the way into the trachea.
But getting an endotracheal tube in isn’t always easy, and it’s usually not necessary during a cystoscopy. Most often an anesthesia mask will do.
One side effect of anesthesia is the loss of normal muscle tone. This happened to Otto. A few minutes into the case, his flaccid tongue fell back in his throat. His diaphragm continued to contract, but air couldn’t get through to the lungs—his airway was obstructed. Otto was, of course, completely unconscious at this point.
Everyone loses some muscle tone during sleep—this is the cause of snoring, and of the more serious condition of sleep apnea. But the loss of tone is even greater under anesthesia, and the anesthetized patient cannot rouse herself to find a better breathing position.
I managed the problem by putting a short plastic tube called an airway into Otto’s mouth. The airway depressed the tongue and cleared a passage for air. It wasn’t as good as an endotracheal tube, which would have extended all the way into Otto’s trachea, but it seemed to do the trick.
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Genre – Non-fiction / Memoir
Rating – G
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J.J. Ward – Hold onto your bowler hats! It’s the return of … Britspionage!? @MI7Ward

Hold onto your bowler hats! It’s the return of … Britspionage!?

Er, what? I hear you ask. Well, I’m an author and it’s a term I coined to indicate a particular type of British espionage that I’m trying to revive … in an updated, 21st century form.

Britspionage flourished during the 1960s. I’m not talking about John Le Carré here: I’m not really talking about books at all. I’m talking about television and, to a lesser extent, film.

I’m talking about Patrick McGoohan in The Prisoner, Roger Moore in The Saint, Patrick Macnee and Diana Rigg in The Avengers; Sean Connery in Goldfinger and You Only Live Twice and Michael Caine in The Ipcress File and Funeral in Berlin.  The music of John Barry. Oh, and one comic strip: Peter O’Donnell and Jim Holdaway’s Modesty Blaise.

What have all these things in common? A certain camp glamour, strong sunlight, optimism, whacky gadgets, eccentricity and surrealism, pinstriped suits, umbrellas, exotic locations, central London.

If you look at what’s happened to the espionage story since then, it’s become much more self-important. Everything’s shot in low light two doors down from Costcutter, people mumble, they wear crumpled clothes with words on, they feel bad about themselves, they do most of their work indoors because it’s forever raining outside, they’ve got wrecked personal lives, they drink too much, their feet smell, and all this happens to the soundtrack of mourning whales.

Britspionage is mostly shot outdoors when the sun’s bright and the streets are crowded. When it’s shot indoors, the walls are made of polished walnut. The Britspionage hero or heroine wears smart clothes, but doesn’t care whether it’s ‘designer’. She’s up against a cunning enemy who respects her as much as she respects him. She knows how to use karate (but everyone knows she does, so she rarely has to). She’s got a microphone in her pen. It’s a fountain pen made of solid silver. Given to her on her 21st birthday by her father. Who’s a close adviser to the Queen.

Go too far with this, of course, and you end up with Austin Powers and Dr Evil. No, this is the 21st century, so a liberal dose of John Le Carré is a necessity nowadays. In the age of 9/11 and al-Qaeda, Wikileaks, Edward Snowden, Chinese cyber-attacks and North Korean nuclear testing, we can’t return to the blithe innocence of fifty years ago. No, we need some – perhaps a lot – of political realism mixed with our bubbly nowadays. And much less sexism. By which, I mean: none at all.

So perhaps I shouldn’t call it Britspionage. Perhaps neo-Britspionage.

Yes, a bit of a mouthful but that sounds about right.

If you want to find out what it looks like, I’ve written three exemplars: three Tales of MI7. As far as I’m aware, they’re currently the only novels in this genre. I know, because I just invented it.

Oh, come on, don’t deny it, you just heard me.

Tales of MI7

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Genre – Espionage Thriller

Rating – PG

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Quality Reads UK Book Club Disclosure: Author interview / guest post has been submitted by the author and previously used on other sites.

Sunday, November 24, 2013

#AmReading - Snow Fence Road by Phyllis Edgerly Ring @phyllisring

Snow Fence Road by Phyllis Edgerly Ring

Amazon

A village on the coast of Maine holds painful secrets—
the kind only the miracle of new love can heal.
Tormented by her fiancé’s death, Tess Johansen escapes to the only place that can still comfort her—the Spinnaker Inn in coastal Maine. Here in this place by the sea she feels close enough to the man she lost to numb the pain, if not the guilt.
For local craftsman, Evan Marston, the ramshackle inn serves only as a grim reminder of the accident that shattered his life and killed the woman he once loved. But while the Spinnaker’s walls may hold guilt and grief and suspicion, they might also house a bright new spark.
Drawn together by a love they never expected, Tess and Evan begin to unravel the mysteries of their pasts and question the miracle at work in their wounded hearts—until one fateful evening along a snow fence road …

The Howling Heart by April Bostic

* * * *

Three days after my father’s funeral, I landed at the airport in Denver. I rented a Jeep Wrangler, because I needed a four-wheel-drive vehicle to get up the mountain. The July weather was mild, so I wore khaki shorts, a plain white tee, and beige Vans sneakers.

One of the odd things about finding our cabin was you had to find the nearby town first. I remembered we got lost during our vacation, which caused an argument between my parents. Finding the road that led to the town was tricky, because there was only one accessible by vehicle, and there was no road sign. My father knew how to get there, because the person who sold him the cabin gave him a landmark. Luckily, he passed that information onto me during one of our conversations. Once you found the road, the town was so small that if you blinked, you’d drive right by it. When my mother said it was remote, she wasn’t being facetious.

I drove on the interstate for over an hour before I realized I missed my turn. I had to find a tree shaped like a wishbone—it was struck by lightning — but all the trees looked alike to me. It took another half-hour for me to turn around and make another attempt.

I found my landmark, but a tangle of fallen branches blocked the entrance. My hands gripped the steering wheel. I knew I was in for a bumpy ride. I floored the accelerator, and the Jeep broke through the roadblock. The road was narrow, and the terrain was rough. Whoever constructed it didn’t want people to travel on it. I screamed when tree branches appeared out of nowhere and banged against the windshield. The forest surrounded me on both sides, and I wondered if I’d ever reach the town.

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Genre – Paranormal Romance

Rating – Adult

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Website http://www.aprilbostic.com/

Christina George – Eight Tips to Make Your Next Writers Conference Awesome! @publicistgal

Eight Tips to Make Your Next Writers Conference Awesome!
I love going to writers conferences, and it’s really awesome when I’m speaking there as well. But as wonderful as the networking is, if you don’t show up with a plan or a set of action items for the conference, you can get sucked up into the vibe of the event without being very productive. Here are some tips to help you maximize your event!
Goals: Before you go to a writers conference, be clear on your goals. If it’s just networking that’s great, but if you want to get more than networking out of the event, make sure you establish your specific objectives in advance.
Start networking before the event starts: Now that you’ve gone through the conference website, it’s time to identify the folks you’d like to get to know better and start your networking early. Send them an email and tell them you are looking forward to seeing them at the event, or hearing them speak. Follow them on Twitter and begin to network with them there. Early networking is a great way to get in front of agents and publishers you might not otherwise have access to.
Make appointments early: The conference website should be your new best friend. Comb through it to find names of publishers and agents who are going to be there. Most conferences will offer you publisher or agent appointments so you can present your work, but if you want to coordinate a meeting with someone for any other reason check the website to find out who will be there and see if you can get on their calendar. I have showed up at conferences hoping to make appointments there and found that they’re not only difficult to schedule, but often confusing as well. Once you hit the conference floor the momentum of the event takes over, and any appointments that haven’t been confirmed prior to the event generally won’t happen.
Take business cards: Make sure you bring a lot of business cards, running out at an event is never good.
Stay organized: I will generally bring some letter-sized envelopes with me to the event and then file cards by session or event so I can keep track of where I collected them. For example, let’s say I went to a big awards dinner and did some networking. If I file all of these in the “Awards dinner” envelope, I can add a personal element to the follow-up email like, “It was nice to meet you at the awards dinner, wasn’t Marci’s acceptance speech great?”
Easy follow-up: Ok, so you’ve had a great meeting with a publisher and they want to see a chapter of your book. Great! Now what? Take their card, flip it over and jot down a few important notes on the back such as: follow-up steps, short meeting details (“met for lunch”), and anything else you can fit onto the card such as any personal details they shared – like having a daughter who went to the same school as your kids or something like that.
Never eat alone: There’s a great networking book by the same name (Never Eat Alone by Keith Ferrazzi, Crown Books) and the statement is true. At a writers conference be sure to grab a table packed with people and even better, don’t sit with the same folks over and over again. Mix it up and meet new people!
Action items: At the end of each conference day, I find it helpful to gather my notes and go through and highlight the important items from the day. I have often waited until I’m on the plane back home, or worse, the Monday following the conference and I generally can’t make heads or tails out of who I am supposed to follow up with at that point. Lesson: do it early while the information is still fresh.
And finally, our bonus tip:
Plan B: If you can’t afford to attend the writers conference that’s in your town here’s an idea for you. When a big conference rolls into town, an author friend of mine will sometimes hang out in the downstairs coffee shop or restaurant at the hotel where the event is being held and network with people there. You never know who you might meet…
Conference follow-up: This is a biggie. Make sure you always follow up with everyone you connected with, especially if you committed to them that you would send them more information, sample chapters, whatever.
Keep the networking going: Relationships take time. Don’t expect miracles when you land at a writers conference. Sometimes great stuff will happen right away, and other times it’s a process. Don’t let the networking end when the function is over. You’re now networking with them online via Twitter and Facebook, and perhaps you have some follow-up to do. Keep on their radar screen and then be on the lookout for future events you can attend!
Writers conferences are a great way to get out there and network, meet your peers and meet agents, publishers, and marketing professionals who can help you publish or market your book.
ShelfLife
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Genre – Contemporary Romance
Rating – R
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Quality Reads UK Book Club Disclosure: Author interview / guest post has been submitted by the author and previously used on other sites.