Tips For Writing Ye Olde Historical Fiction
by N.S. Wikarski
“My God, they can't expect to put ‘Ye Olde’ in front of anything they want and get away with it.”
If, like me, you’re a fan of The Big Bang Theory, you’ll immediately recognize Sheldon Cooper’s complaint about the historical inaccuracies of a Renaissance Faire, California-style.
As much as I’d like to distance myself from most of Sheldon’s opinions, I’m forced to agree with him on this point. As a writer, I’ve penned five books that are either historical (Gilded Age Chicago Mysteries) or have a strong historical element (Arkana Archaeology Thrillers). As a critic for Deadly Pleasures, I’ve reviewed my share of historical fiction (some good, some not) so believe me when I say that you can’t just put “Ye Olde” in front of anything and expect to get away with it. Authors of contemporary fiction have to juggle plot, pacing, and character development. Historical fiction writers wish it was that easy.
Timing Isn’t Everything
The first thing to consider as a historical fiction writer isn’t simply when something happened but what the world surrounding that event was like. We all know that Columbus sailed the ocean blue in 1492 but it’s a good bet that when he first landed in the Bahamas, he didn’t head for the closest Tiki bar to order a boat drink. Objects and places we take for granted in the 21st century may or may not have existed in the corner of the past an author is exploring. To make that fictional world believable, the times as well as the timing need to be understood.
Clothes Make The Man (Or Woman)
Period costume is something that most historical authors (good and bad) get right. The only difference is that bad writers fail to think about the impact costume can have on conduct. For example, everybody knows Victorian women wore corsets. What most people don’t realize is that a woman who is laced tightly enough to give her an eighteen inch waist can’t bend, stretch, or engage in anything more strenuous than lifting a tea cup. Most of her conscious attention is focused on the struggle to breathe. She’s probably a very uptight, cranky creature for no better reason than that her underwear feels terrible. People who wear whalebone corsets or chain mail armor are going to think and feel very differently from people who wear sweat pants all day long.
The Past Is Another Country
It’s often been said that human nature doesn’t change over time. Perhaps not, but cultural values can shift radically in a heartbeat. The contemporary fiction writer has the luxury of writing about people who are immersed in the same cultural soup as she /he is. Not so a historical fiction author. Cultural values are absorbed much like the air we all breathe--invisibly and with very little conscious effort (unless, of course, you’re wearing a corset). The greatest mistake a historical fiction author can make is to believe that people in ancient times thought and felt exactly as we do today.
To write effective historical fiction you have to immerse yourself without condescension in the values of the past no matter how odd they might seem to a modern sensibility. So if you’re planning to write a historical novel any time soon, be prepared to walk around in your character’s high-button shoes. And if the shoe pinches, write it.
THE ARKANA SERIES: Where Alternative History Meets Archaeology Adventure
Volume Four - Riddle Of The Diamond Dove
Volume Four - Riddle Of The Diamond Dove
"From Kindle Nation fave N. S. Wikarski comes the long-awaited fourth book in her fascinating seven-part Arkana archaeology thriller series -- with more of the wonderful characters, sly humor, intrigue and mayhem that come together to create the absorbing world of her intricate, fast-paced mysteries." (Kindle Nation Daily)
Global Treasure Hunt
Where do you hide an ancient relic that has the power to change the course of history? As Cassie Forsythe and her Arkana team discover, you scatter clues to its whereabouts across the entire planet. Five artifacts buried among the rubble of lost civilizations point to the hiding place of a mythical object known as the Sage Stone. Thus far psychic Cassie, bodyguard Erik, and librarian Griffin have succeeded in recovering two of those artifacts.
Where do you hide an ancient relic that has the power to change the course of history? As Cassie Forsythe and her Arkana team discover, you scatter clues to its whereabouts across the entire planet. Five artifacts buried among the rubble of lost civilizations point to the hiding place of a mythical object known as the Sage Stone. Thus far psychic Cassie, bodyguard Erik, and librarian Griffin have succeeded in recovering two of those artifacts.
Opposing Forces
Cassie and Company find their lives threatened at every turn by agents of a religious cult known as the Blessed Nephilim. The cult's leader, Abraham Metcalf, wants to exploit the power of the Sage Stone to unleash a catastrophic plague on the world. The quest for the next piece of the puzzle has led both sides to Africa. They must comb an entire continent--their only lead a riddle carved onto a mysterious dove sculpture. Even as the Arkana team struggles to decipher the clue, new dangers hover over their colleagues at home.
Cassie and Company find their lives threatened at every turn by agents of a religious cult known as the Blessed Nephilim. The cult's leader, Abraham Metcalf, wants to exploit the power of the Sage Stone to unleash a catastrophic plague on the world. The quest for the next piece of the puzzle has led both sides to Africa. They must comb an entire continent--their only lead a riddle carved onto a mysterious dove sculpture. Even as the Arkana team struggles to decipher the clue, new dangers hover over their colleagues at home.
Other Dangers
Metcalf's child-bride Hannah has taken refuge at the home of the Arkana's leader Faye while mercenary Leroy Hunt creeps ever nearer to her hiding place. His search for the girl brings him dangerously close to the secret location of the Arkana's troves--a collection of pre-patriarchal artifacts which confirm an alternative history of the origins of civilization itself. While Hunt closes in on Hannah, Metcalf's son Daniel dogs the footsteps of the Arkana field team in order to claim the next artifact before they do. Daniel recruits a clever ally along the way who might be more than a match for the opposing side.
Metcalf's child-bride Hannah has taken refuge at the home of the Arkana's leader Faye while mercenary Leroy Hunt creeps ever nearer to her hiding place. His search for the girl brings him dangerously close to the secret location of the Arkana's troves--a collection of pre-patriarchal artifacts which confirm an alternative history of the origins of civilization itself. While Hunt closes in on Hannah, Metcalf's son Daniel dogs the footsteps of the Arkana field team in order to claim the next artifact before they do. Daniel recruits a clever ally along the way who might be more than a match for the opposing side.
Collision Course
When the forces of the Arkana and the Nephilim converge on a ruined city in a forgotten corner of the dark continent, the shocking outcome is beyond even Cassie's powers to foresee. The quest for the Sage Stone will veer in an unexpected direction once both sides solve the Riddle Of The Diamond Dove.
When the forces of the Arkana and the Nephilim converge on a ruined city in a forgotten corner of the dark continent, the shocking outcome is beyond even Cassie's powers to foresee. The quest for the Sage Stone will veer in an unexpected direction once both sides solve the Riddle Of The Diamond Dove.
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Genre - Alternative History Fiction
Rating – PG
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